CONCRETE POETRY
CONCRETE POETRY

Around 85% of Australia's population lives within 50km of the coastline making it one of the most urbanised nations in the world. Every year tourists flock to the Gold Coast and take photographs of its iconic beaches and landmarks. But with ‘Concrete Poetry’, I aim to document the quiet and manufactured microcosm within the growing city.

As well as being my own exploration into the basics of composition, colour and light, ‘Concrete Poetry’ is an ode to localism—to the sign makers and mechanics, the ones building the Gold Coast. Their buildings aren't flashy like the high-rises along the esplanade, but there's a certain and simple beauty that attests to the humility of their business. They demand no attention. They stand there on the fringes, out of sight, but go about as always, creating the foundations for the city.

Tourism on the Gold Coast is impossible to deny and without it, the city perhaps wouldn’t survive. Tourism however, can impart a state of confusion for citizens like myself. I grew up on the Gold Coast and feel a sense of patriotism toward it. But this patriotism is imbued with concern. What does being a Gold Coaster really mean? It’s a difficult question to answer as the city’s identity is built around the identity of others.

By photographing the city’s urban landscapes, I endeavour to address the question of Gold Coast identity by representing the fundamental, often-unseen environment around us.

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CONCRETE POETRY
AaronChapman_CP1.jpg
AaronChapman_CP2.jpg
AaronChapman_CP3.jpg
AaronChapman_CP4.jpg
AaronChapman_CP8.jpg
AaronChapman_CP5.jpg
AaronChapman_CP10.jpg
AaronChapman_CP6.jpg
DSC00073.jpg
AaronChapman_CP7.jpg
DSC00187.jpg
CONCPOETRY-18.jpg
DSC00064.jpg
CONCPOETRY-6.jpg
DSC00097.jpg
IMG_6783.jpg
IMG_9784.jpg
IMG_7342-Edit.jpg
CONCPOETRY-17.jpg
CONCPOETRY-1.jpg
IMG_5786.jpg
CONCPOETRY-4.jpg
CONCPOETRY-5.jpg
CONCPOETRY-12.jpg
CONCPOETRY-15.jpg
CONCPOETRY-11.jpg
CONCPOETRY-13.jpg
CONCRETE POETRY

Around 85% of Australia's population lives within 50km of the coastline making it one of the most urbanised nations in the world. Every year tourists flock to the Gold Coast and take photographs of its iconic beaches and landmarks. But with ‘Concrete Poetry’, I aim to document the quiet and manufactured microcosm within the growing city.

As well as being my own exploration into the basics of composition, colour and light, ‘Concrete Poetry’ is an ode to localism—to the sign makers and mechanics, the ones building the Gold Coast. Their buildings aren't flashy like the high-rises along the esplanade, but there's a certain and simple beauty that attests to the humility of their business. They demand no attention. They stand there on the fringes, out of sight, but go about as always, creating the foundations for the city.

Tourism on the Gold Coast is impossible to deny and without it, the city perhaps wouldn’t survive. Tourism however, can impart a state of confusion for citizens like myself. I grew up on the Gold Coast and feel a sense of patriotism toward it. But this patriotism is imbued with concern. What does being a Gold Coaster really mean? It’s a difficult question to answer as the city’s identity is built around the identity of others.

By photographing the city’s urban landscapes, I endeavour to address the question of Gold Coast identity by representing the fundamental, often-unseen environment around us.

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